片名：马丁·弗罗斯特的内心生活
关键词：马丁·弗罗斯特的内心生活免费在线观看
电影类别:剧情片
发行年份：2007
首映地区：西班牙
导演：保罗·奥斯特
演员：大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特
更新时间：2025-05-22 09:31
《马丁·弗罗斯特的内心生活》讲述的是什么故事？
what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip.
and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster).
unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality.
but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart.
go innocently.
被称为剧情片的开先河之作的《马丁·弗罗斯特的内心生活》，是保罗·奥斯特最好的作品吗?
从保罗·奥斯特斩获剧情片最佳导演 我就觉得这部《马丁·弗罗斯特的内心生活》是他最好的电影。虽然保罗·奥斯特后来还拍出来了评价特别好的电影，但是《马丁·弗罗斯特的内心生活》是他电影的代表作品。
《马丁·弗罗斯特的内心生活》有哪些槽点？
《马丁·弗罗斯特的内心生活》这部剧的题材是一部剧情片，但是《马丁·弗罗斯特的内心生活》这部剧给大家的整体风格却是一部喜剧，丝毫没有一部剧情片的感觉，这也是大家吐槽的第一个地方，先不说这部剧《马丁·弗罗斯特的内心生活》的主演大卫·休里斯,伊莲娜·雅各布,迈克尔·因佩里奥利,索菲·奥斯特的演技如何，光光看《马丁·弗罗斯特的内心生活》这部剧的逻辑和节奏，就丝毫没有一部剧情片的感觉，《马丁·弗罗斯特的内心生活》剧中最大的一个特点就是剧情过于套路化，好像所有的情节都是按照《马丁·弗罗斯特的内心生活》剧本的发展一样，丝毫没有创新，这也与本剧的导演保罗·奥斯特密切相关的。一部好的剧情片应该有一个优秀的导演导演可以让这部剧的情节跌宕起伏，激发观众的观看兴趣。同时这部剧在开播之前也没有进行大方面的宣传导致观众对这部剧的了解非常少，《马丁·弗罗斯特的内心生活》的热度也因此不断下降， 一部优秀的剧情片尤其是像《马丁·弗罗斯特的内心生活》这样热度非常高的剧情片系列不应该过度地注重主角，而是要注重《马丁·弗罗斯特的内心生活》剧情本身一部剧情片的灵魂就是这部剧的情节，如果情节中都存在瑕疵，又怎样引起观众的兴趣。
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